Artist Development and Music Managers:
Artist Development: We Have Compiled The Most Extensive and Updated Music Contacts Directories In The United States; All Music Industry Contacts Plus Contains 11 Separate Directories Including Thousands of Music Managers and Is Well Over 1,000 Pages. We Have A Team Of 4 Music Industry Professionals that verify our music industry contacts information on a daily basis and make more then 800 verification calls seven days, that's over 38,000 calls a year to verify that you have the most accurate contact information possible!
You can utilize All Music Industry Contacts (Plus) to send your music to hundreds of Artist Development located all over the United States. Below is only a small example of the music industry contacts incorporated into our All Music Industry Contacts (Standard) and (Plus) Directories:
All Music Industry Contacts (Plus) Details:
All Music Industry Contacts (Plus):
Our Famous Music Industry Contacts Directory is All Music Industry Contacts (Plus) and we call it AMIC (Plus) because of all the useful music industry marketing material that is included for you that only our customers are allowed to know about, here at Mix Makers we call it our secret conversion content which is just for you if you order any of our three music marketing products. All Music Industry Contacts has been around since 1998. At first it was a glossy book the size of a magazine except it was much thicker. We have had Eminem and even Snoop Dogg on the cover of our Mix Makers Magazine in 2014. All Music Industry Contacts is comprised of 1,000 + Pages of updated Music Industry Contacts information! Everybody who is anybody in "The Music Industry" is listed in one of our 11 comprehensive Music Marketing Resources.
For a limited time only AMIC (Plus) All Music Industry Contacts incorporates the worlds most extensive A&R Directory which incorporates over 10,000 A&R at over 2,000 Record Labels. Get Connected With Thousands Of Music Industry Contacts. Including; Music Managers, Music Agents, Music Producers, A&R Contacts, Record Label A&R, Music Publicists, Music Attorneys, Independent Record Labels, College and Independent Radio Stations, Music Distributors, TV/Film Music Supervisors and Music Publishers! You will find out that the first means of getting a record deal is to take a (DIY) approach "do-it-yourself" or without "anyone else's assistance" approach to your music career until you get the attention of top music managers and record label A&R. AMIC (Plus) has a long list of A&R Contacts or A&R personnel that work at the record company and can easily take up 100 pages, however, here's a brief overview. All Music Industry Contacts (Plus) includes thousands of major and independent A&R, including A&R Assistants, A&R Scouts, A&R Reps. and A&R Executives.
The affectionate relationship that exists between an artist, band and artist managers isn't very different from that between a professional athlete and his coach. Artist Managers:As an artist or band, you completely entrust your music management to imagine your goals and help put a strategic plan of attack into the impact that will allow you to attain those goals. The artist band relies on music managers to be a motivator, counselor, certain, diplomat, and day-to-day business person.
Music Management 101 Details:
Music Management 101:
Music Management 101 is Updated and Expanded Monthly. Is Over 1,000 + Pages of Extensive Music Management Strategies. Includes Hundreds of Music Management & Music Agent Contacts. Contains 9 Music Management Contracts in Word and .PDF format.
Has Email Marketing & Music Marketing Analytics/Software. Learn How To Create Keyword Targeted Content & Link Building.
Email Marketing Software For Music Management:
Having the right talent manager at your side can assist to bring you achievement way beyond your most stunning images. Having the wrong artist managers, however, can be devastating to your music career. In any case, to say, realizing that you have to search for a decent talent manager, you can discover one in our product Music Management 101, and most important when you're ready for one. The best artist managers might conceivably be right for you now and are crucial to the accomplishment of your music, your music career and the achievement of your music business.
Artist Development and Music Managers:
The role of a talent manager in your music career is to assist your Artist Development. If you ask artists, bands, and musicians to characterize what a talent manager or music managers do, the answer will vary contingent upon their dimension of experience, they take care of business stuff like making fliers and gathering email addresses, to the shopping your music to record labels, music publishing companies and they book you on fruitful music tours with assistance of your music booking agent. Well, making fliers and gathering email addresses is something every band or artist must accomplish for themselves early on, shopping your music to record labels is probably better appropriate for an entrenched Talent Manager. Artist Development: In Music Management 101 you will learn exactly what music managers do and what music managers don't do. With the assistance of your music attorney as you'll see later in this article, can also get you a record deal. a talent manager can book you on effective tours although that job is usually made for your talent agent. Baffled, you may ask what artist managers must do? I will describe them as your CEO or the music industry CEO of your music career. So music managers have been described as the head operating officers of any artists or bands music company.
I like to consider music managers as air traffic controllers for artists, producers, publicists, fashion symbols, music marketing consultants, artist managers, music attorneys, and music managers. And pretty much anyone else in the music industry, you could consider music managers in the music industry as pilots. The air traffic controller must have unlimited oversight of the runway and they have to manage the pilots flying all through the airport to safety. On the off chance that the air traffic controller gives the wrong signal to a pilot, total disaster could result. By strict definition, an artist managers role is to advise and counsel you in all aspects of the music industry. Artist Development: The music managers job is also to provide guidance and ensures everyone engaged with your music career pulls together and is in the same direction to achieve achievement. Interestingly, you will discover more about what music managers do in Music Management 101, in the music industry, there are no surefire strategies for progress. Every music managers job may be to take a different approach, whether conventional or unconventional.
The best way to understand what artist managers do is to take a gander at the various ways they're associated with the different aspects of your music career from securing a record deal, including artist advancement, securing contracts, working out your deal and dealing with record companies, and assisting you with live engagements and throwing the music industry parties you have to blend with more music professionals. With artist advancement, your music managers help you characterize your target demographic audience. Your talent manager makes sure that everything from your published photographs to your profile images, to your public image and your stage presence, to what you say to the press is predictable with your vibe and your musical style. Your music managers role is to create and package you as an artist or band so you should progress and sign with a record company, the record labels will be less disposed to remake you as something you're most certainly not. Great artist managers will enable you to discover what feels most comfortable and natural to you. In a lecture Ryan Clement our Founder/CEO delivered at UCLA, Music Marketing Consultant and top talent manager; Ryan Clement, whose customers incorporate Flogging, OutKast, The Dan Band and himself Ryan Clement AKA. Riveechi. The music industry veterans at UCLA asked, what is the job of music managers? The Music Marketing Engine: "The job of music managers is to give his or her artist a chance to breathe and form into their identity. Your artist managers may even discover one of a kind ways to associate you with certain ways of life, to create a particular image for you. This is called the way of life re-music marketing. For instance, since heavy metal appeals to kids who skateboard and snowboard in the event that you were a member of a heavy metal band, music managers may try to discover sponsors for the group through skateboarding or a snowboarding company.
Your music managers may even seek certain attire manufacturers for endorsements. The alternatives are boundless. Associating you with a particular life's way of life characterizes your image and that makes you substantially more believable and real. Securing contracts with your artist managers help get you more exposure by setting up the music industry showcases which may potentially secure you a record deal in addition to record labels and music publishing companies may attend. Your music managers must research what record labels and our reps are the best fit to your talents and musical style, based not just on the company's past signs or achievement but also on a company's financial stability, whether they're stuck in an unfortunate situation and about to consolidate or go under. Artist Development: Your men music managers should also recognize and are representative understands your music and your vision and at that point and our rep who makes a decision about simply point smoke up your rear and, to in a manner of speaking. Your artist managers may also enable you to discover an attorney who can help shop your music to various record companies.
Attorneys deal with hundreds of customers during their careers, while music managers may deal with only a couple, therefore, many attorneys are very much associated with the chemistry and may provide the extra push you have to get a record deal. In such an instance, your music managers will work with the attorney music attorney's on Keith contract focuses on your recording and publishing deals. For existing, for instance, your music managers must understand the essential purposes of negotiation and recording agreements, including recording and a video reserves, cross Colette col-lateralization, to her support, guaranteed release clauses, plate paid or play clauses and controlled arrangement clauses. Your music management should also stay current with how record companies are changing their business models, for example. In acquiring additional pay streams from artists like publishing, merchandising, and touring, and with the Indies, upstreaming, artists to majors after certain sales criteria are met. Artist Development: But in those the words of Gary Borman, manager for artists like Garr got garbage, Faith Hill, and James Tyler, the artist management will also realize when to quiets down and let the attorney carry out his responsibility. Feeling with record companies another of your artist managers responsibilities is to meet with the various departments at the record label, for radio promotion, new media, permitting, press, sales, and marketing, to make sure that everyone is acting in concert in preparation for an album release.
Music Marketing Plan
Music Managers like Andy gold says the music managers must run the entire record label talking. Believe it or not, the general population at the labels don't always talk. Your music managers set up together a music marketing plan tried to sell the label and talent management on making you a top priority. Artist Development: A music marketing plan may incorporate ideas for when you CD should be made available for sale in this in stores and on the Internet, how retail buyers can get amped up for ordering the album, what quantity of record ought to be shipped to each retailer, how the record will be priced either at the maximum or added the creating artist price, and what advertising will be set up to generate sales. Artist Development: A music marketing plan may also be tactics tactfully recommended what the first radio single and format could be, the means by which far in advance of the records release date the single ought to be serviced to radio, what avenues may be explored to promote the single, free radio promoters advertise men's in trade magazines like hits and radio and records, and where a promotional video for the single ought to be found.
Ryan Clement spent the last five years working with other music industry entrepreneurs. It’s a fact that if I contact the right person up to five times, you will make a conversion/sale. You will get a lot of regular fans but only your super fans will pull out their credit card and buy your EP or LP Album, the difference is that an EP is only 5-8 songs. I get at least 5 sales out of every 100 visitors for $34.95 because I sell a 30 song “Triple Album” called “True To This” and I also sell my Super Fans a signed T-Shirt. I use a marker that’s kind of like silver paint. You can listen and purchase my music at: http://www.riveechi.com.
Ryan Clement AKA. Riveechi
We will either enable you to build a tremendous fan base or will get you signed. Each one of our 3 music marketing products/books are extremely broad and are at least 1,000 pages of creative and accommodating music industry related substance with live targeted connections to FREE products and services that you should get ahead and make a living making music. "The Music Marketing Engine and Music Management 101 will teach you self management at the beginning of your music career with the goal that later on you can attract Top Music Managers or Major Record Label A&R by using our proven and tried strategies, about how to make your music become famous Online." and how to track and target music MC marketing analytics data says, Ryan Clement Founder/CEO of our company Mix Makers. Artist Development: "We created All Music Industry Contacts (Plus) for talented Artists, Bands and Music Producers. There are just a couple of ways to get in or sustain your situation in the music business! The most realistic way is to constantly contact effective Record Label A&R, Talent Manager, and Music Producers. It's all about being professional! We created All Music Industry Contacts for that purpose! We are making available what takes us hundreds of hours to create and update for just $32.95. You will possibly understand how powerful All Music Industry Contacts is on the off chance that you put it to utilize. We created this package with the goal that everyone can afford it. That's a wrap! Good karma in everything that you do! We hope you accomplish all of your goals and remember this business is more about persistence than it is about talent!
"Get a Custom Designed Artist, Band or Music Producers Website For Only $20 Per Month After You Order One of Our Music Marketing Products and Become a Customer, Music Websites Come With Music Mastering For Up to a 5 song EP."Send Us a Text Message After You Order Either All Music Industry Contacts Plus, Music Management 101 or The Music Marketing Engine (818) 459 2004 Text Messages Only Please.
INSTRUCTIONS: How To SUBMIT YOUR SONGS:
Presently you have written a great song, made an awesome demo so now you will be rich and famous, right. All things considered, it is possible but I very doubt it. There isn't a doubt that being an amazing singer/songwriter, rapper, music producer, or musician that has a perfectly blended and mastered version of all your songs is a great strategy in and of it. However, in the event that you are engaged in having your music see the light of day by music industry contacts, your career is really simply starting.
While businesses like Mix Makers who publishes All Music Industry Contacts complete an awesome job of helping you get your songs out and into the world, it is still totally dependent upon you to be sure your music gets into the right hands. Until the music industry contacts who can essentially accomplish something with your tunes including music industry contacts like record label A&R, music producers, music managers, and music publishers) have tuned in to it, it should not exist. I understand that this sounds apparent although I believe you would be staggered at the amount of singer/songwriters rappers, music producers and musicians out there who has an impressive demo that very barely any, music industry contacts individuals have ever heard. Creating the songs is a certain something but getting your songs out there into the world requires a remarkable arrangement of aptitudes. The talents you ought to be concentrating on are professionalism, networking, persistence; I will say again persistence, courtesy, and patience.
Like any industry, it isn't just what you realize it is also who you realize which can get you ahead in music. What this means in the music industry is getting yourself out there to the music industry occasions, open micas, writer's evenings and any form of promotion you can discover. For those of you that live in urban communities where music industry contacts are more prone to resemble New York, Nashville, and Los Angeles, there is a pretty much a perpetual stream of opportunities to meet fruitful music contacts. For everybody else, you may have to gaze somewhat harder or take a trip from time to time to one of the urban communities I simply brought up. I think this sort of thing isn't that much fun reliably however when you are first starting out it is necessary. Artist Development: How about we put it along these lines: All things being equivalent, on the off chance that you've ever met music industry contacts from a record company or music publishing company in a social situation and assuming you had a pleasant exchange, there's a lot larger possibility that they'll consider you when you call as well as will make more of an attempt to enable you to out on the off chance that they can. The fact of the matter is that the more you get in contact with music industry contacts that work in the music industry, the more contacts you will encounter and the better the chance it will pay back not far off. I also propose remembering a couple of key social aptitudes while you are at it. Don't instantaneously launch into your 10-minute, verbally expressed word biography. It is a vastly improved idea to discover a bit of something about the music contact you are chatting with by remembering to ask them a couple of inquiries as well.
Did I forget notice we are talking about the music industry? This means it is to your greatest advantage to be proficient about how you go ahead with music industry contacts in the business. When approaching somebody in the music business, email or call first. Make the first contact brief and to the point. In other words, let them understand why you are calling/emailing (e.g., to plan a gathering, to check whether they are accepting music at this time, to ask whether you can submit a connection to your website or an mp3, and so forth.). This isn't an ideal opportunity to have a long conversation. On the off chance that somebody has referred you that they know (see "networking" above), bring this up as well. In addition, while it is cool to be thrilled and even certain about your material, it hardly ever pays to tell somebody that you have a "killer" song or you are a "blockhead" singer/songwriter. Give your tune a chance to speak for itself. When you have gotten authorization to do as such, at that point submit your website connect or bring it to the gathering. It truly doe's not making sense to convey CD or mp3's without first getting approval from music industry contacts, as they usually end up at the bottom of the trash or, surprisingly better, the person who has not asked for it considers it and disturbance. Try not to murder the messenger here; I am trying to say that the chances are that on the off chance that somebody isn't anticipating your material, there is a decent chance it won't be heard.
By the way, in the event that you have never observed the workplace of an a&r rep or music publisher, I am here to disclose to you that it is wall-to-wall CD. We're talking hundreds and hundreds if not thousands of them. Make sure that your CD is clearly labeled with a couple of straightforward components: your name and contact information (telephone and email), the name of the song or songs and possibly — if it's a song for an artist — the name of the person you're pitching it to. Also, make certain that every part of the package is labeled. This means putting your information on the CD and on the CD sleeve or gem case. Make sure that if the CD itself gets separated from the case, the information is the CD, as well. Artist Development: Also, in case you're utilizing a gem case, make sure there's information on the spine. Remember the part where I said there are thousands of CD in these people's workplaces? At the point when your CD winds up on a rack with all the others, the spine of the CD will be the main way for them to recognize it. Finally, I can think about no rhyme or reason why any submission ought to be more than three songs. In case you're pitching a song to an artist, they're not hoping for a "bonus track." If you're pitching to a publisher, three songs is a decent way to indicate them you have more than one great song without overdoing it. On the off chance that they want more, believe me, they'll ask. Everything comes down to placing yourself in the situation of the industry person. In the event that they have a work area brimming with CD to tune in to and have to pick between a CD with two songs on it or one with 19 songs, which one do you think they'll pick?
Suppose you're sufficiently fortunate to reach somebody by either telephone or email and they've agreed to give you a chance to mail in a CD or email them an mp3. Here's what you ought to anticipate: Nothing. In other words, it's extremely rare that you'll hear anything back rapidly after you submit it. As a matter of fact, you should put in your calendar to catch up half a month after you've submitted something. This follow-up ought to be considerably shorter than your initial contact. Email is probably best for this. A straightforward email saying you wanted to make sure they'd received your submission is sufficient. Artist Development: Also, don't be surprised if the response you get back (in case you're sufficiently fortunate to get one) says they haven't gotten it and would you mind resending it. Resending material is something that you ought to hope to do. Following up every a little while (except if you're asked not to) is perfectly acceptable in case you're well mannered and to the point. I'm not a pessimist and I don't believe that anyone has an agenda to ignore submitted material. I'm a realist and the sheer number of submissions makes it almost impossible for anyone to stay in control. Anything you can do to help remind somebody is to your greatest advantage and generally appreciated.
I believe it's important to realize that nobody in the industry owes you anything. This may sound harsh but it's an important point. You may very well have great songs and it would be to the greatest advantage of the industry professional you're pursuing to hear them out, but there are a ton of great songs out there and just a set number of opportunities for them. On the off chance that your song isn't tuned in to right away or regardless of whether it's lost or ignored, don't take it personally. Artist Development: I'm a songwriter myself so I know exactly how important your songs are to you. It is difficult to submit them for judgment and tougher still to wait around hoping somebody will actually tune in. However, you'll just do yourself a disservice by being rude or impatient with somebody and heaven help you on the off chance that you get a reputation in the industry for being troublesome or unpleasant.
Ryan Clement spent the last five years working with other top independent music industry veterans. Artist Development: It’s a fact that if I contact the right targeted customer up to five times via email, I will get a conversion/sale. You will get a lot of regular fans but only your (super fans) will pull out their wallet grab their credit card and buy your EP or LP album Online, the difference is that an EP is only 5-8 songs and an LP album is 8-24 songs give or take. Listen to Ryan Clement AKA. Riveechi's 30 song album! I get at least 8 conversions or sales out of every 100 visitors for $34.95 because I sell a 30 Song “Triple Album” called “True To This” and I also sell my Super Fans a signed T-Shirt. I use a marker that’s kind of like silver paint. You can listen and purchase my music at: Ryan Clement AKA. Riveechi: "TRUE TO THIS" (Triple Album):
Ryan Clement AKA. Riveechi "True To This" (Triple Album):
Music Marketing Resources:
All Music Industry Contacts (Plus):
Music Management 101:
The Music Marketing Engine (Bundle):
All 3 Music Marketing Resources (Bundle):
Mix Makers Online Audio Mastering Details:
Here at Mix Makers LLC. Online Audio Mastering we guarantee that we can make your songs sound 10 times better after we master your music and right now for Mix Makers customers its only $20 per song and we will master one of your songs for (FREE) if you order all three of our music resources including All Music Industry Contacts (Plus), Music Management 101 and The Music Marketing Engine all together which is only $79.95 compared to the normal price which is $104.85. Remember that our audio mastering services is normally $50 per song so if you order All Three Of Our Music Resources (Bundle) with (FREE) audio mastering you are getting a great deal.
Our best deal for people that are not Mix Makers LLC. customers is that even if you don't order any of our three music resources we will still master one of your songs and send you a free 2 minute sample, this way you can hear the quality of your music after being mastered by our company. Artist Development: Right now we also have another special deal so if you order all three of our music marketing products including All Music Industry Contacts (Plus), Music Management 101 or The Music Marketing Engine, we will master one of your songs for (FREE) and the normal price for anyone that is not a Mix Makers LLC. Customer is $50 per song.
We Have The Most Extensive & Up To Date Music Industry Contacts Directories In The World; All Music Industry Contacts Plus Includes 11 Separate Directories & Is Over 1,000 + Pages!
We Have A Team Of 4 Music Industry Professionals who verify our music industry contact information daily and make over 800 verification calls a week, thats over 38,400 calls a year to make sure that you have the most accurate information possible!
Artist Development: Get In Direct
Contact With Thousands Of Music Industry Contacts; Including Successful Record
Label A&R, Music Managers, Music Agents, Music Producers, Music
Publicists, Music Attorneys, Independent Record Labels, College and
Independent Radio Stations, Music Distributors, TV and Film Music Supervisors
and Music Publishers!